Scientist of the brain turned scientist of psychic soundscapes, Sydney Koke (Shearing Pinx/The Courtneys) specialises in a form of queer, spooky, and dislocated electronic abstraction assembled from the disparate substrates of early 2000s experimental electronic music, old school rave, 70s industrial, no wave, and noise rock: a dorky cyborg symbiosis of polyhedral no-tempo MPC rhythms, flickering future tones of marine microorganism holographic glimmer, and intimately vague spacer-woman vocals delivered with cold intention, generating an ultraviolet personal microcosm of queer sexuality, formalist aesthetics, and multi-directional emotive imaginals – a volatile exploratory spectrum with a consistent sense of (developing) identity and curiosity.