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Andrew Patterson

Web-IG-03With less than two months to go until OBEY Convention X, we’re excited to reveal a second wave of artists who’ll be filling our coastal city with wyrd vibes and sonic wilding.

Slated to perform throughout the four-day weekend are Bolivian-American club deconstructionist Elysia Crampton, Montreal’s new school sonic sculptress Kara-Lis Coverdale, post-folk power combo Xylouris White, Toronto’s gnarly soma conceptualist Xuan Ye, starchile of the Halifax underground BUDI, Canadian free-jazz hero Jerry Granelli and Healing Power Records’ sensual dub collagist New Chance. These seven wonders will be featured alongside the already-announced roster of Senyawa, Moor Mother, Uniform, Laraaji, FET.NAT and Pelada.

Our musical events will once again be bolstered by Art In Fest, a standalone festival of contemporary art presented by The Khyber Centre For The Arts, and the Everyseeker Symposium, a series of lectures and workshops at the intersections of sound and listening presented in partnership with The Fountain School of Performing Arts. Programming details for these, along with information about our National Drone Day event, a special sound installation premiere, and other collaborative happenings will be revealed along with our full festival line-up in the coming weeks.

A limited number of festival passes are on sale now and can be purchased here while quantities last. Passholders are guaranteed access to all of our ticketed events. People under 19 years of age are admitted free of charge to all of our unlicensed events.

Stay brave, spring awaits.

 

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OBEY-OS-04-WEB We’ve got the final show of our inaugural off-season coming up on April 15th. It’s been such an amazing winter thus far with some truly unique talents in our midst. We’re excited to say that this show will be no exception. Vicky Chow, originally from Vancouver and now based in NYC, is a world-class performer.

Chow is here to perform an evening-length piece by buzzed-about composer Tristan Perich (who’ll be offering a free artist talk the same day at Halifax Central Library). Tristan’s work makes an elegant blend of mathematical precision and sensual flux. Surface Image, the piece in question, was written specifically for Chow and makes a perfect match for her incomparable talent. Like the mesmerizing minimalist works of Terry Riley and La Monte Young, it expands in sparkling layers, long form.

Opening the evening is local conceptual poet, Tonja Gunvaldsen-Klaassen, performing an ‘off-grid grass chant’ inspired by quantum theory and written specifically for the evening.

The Spring Sounding.

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We’re thrilled to share with you the first few details of our 10th annual festival ::: OBEY Convention X ::: taking place at alternative and historic venues in Halifax, Nova Scotia. Rather than pausing to look back fondly at a decade of exploration, OBEY X promises to continue pushing forward, pursuing the confounding values of intensity, inclusion, confrontation, transcendence, accessibility, innovation, education and auditory onslaught on which it is founded.

As ever, our programming centres around performers who we feel provide a vital and relevant response to the contemporary world. Among those vital voices sounding out at this year’s festival are the operatic Indonesian doom-folk duo SENYAWA, Philadelphia’s outré hip-hop activist MOOR MOTHER, industrial NYC thrash-metal combo UNIFORM, legendary new age beacon LARAAJI, insurgent acid-house bunker-junkers PELADA and Hull, Quebec’s bilingual post-punk powerhouse FET.NAT.

A limited number of specially-priced Early Birds are on sale now until March 28th when we’ll reveal a second wave of artists and other happenings. Passes guarantee access to every event of this gnarly weekend. Don’t delay, snag a pass from Ticket Halifax pronto!

 

 

 

 

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OBEY-OS-03-WEBWe’re deeply honoured to be hosting the legendary Chicago footwork pioneer RP Boo for the third instalment of our off-season programming. We’ve been so stoked at the enthusiasm these shows have been met with and feel like this could be the biggest one yet! This one may just sell out, so scoop up an advance ticket on our Big Cartel or head to Lost & Found (2383 Agriola St).

Local power-troop EDDY / BUDI, Dartmouth emcee Thrillah and dance floor ruler DJ Goldilocks in full effect.

Check the FB right here, friend.

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A long time friend and participant of OBEY Convention, Lindsay Dobbin, will be DJing during our closing night show with Julianna Barwick and The Halifax Rumi Ensemble. We got in touch with her to get a sense of what her priorities are when it comes to DJing:

 

 

 

What kind of music/musical idea is exciting you these days?

Looping and drumming are exciting to me right now. With both I am
exploring repetition, making patient alterations so the sounds
gradually inhabit new environments, and parallel universes. I love the
moment when you’ve been listening to and/or playing the same pattern
over and over and you begin to hear it in a new way based on your
awareness shifting from the superficial to something deeper.

I’m also really excited about music in general these days. Like, I’ve
always been, but recently my relationship has been refreshed namely
due to teaching a DJ/music program to youth with disabilities. I find
it really rewarding because I not only get to teach something I’m
passionate about, but I learn so much from the students. I’m reminded
on a daily basis how vital music is, not only as an escape, but as an
authentic tool for self-expression, awareness and engagement with the
world. I’ve had students who site specific instances when music saved
their lives.

Will you be manipulating the music you play at the show in any way?

I will. I am still working out my set, but I do know it will be loop
based, employing the concepts I stated above and combining analogue
and digital technologies to map a sonic transformation.

What should one strive for as a DJ?

Awareness of environment. Deep listening. Fleshing out moments of
transition. Fun. Originality. Creating new sound worlds. Alchemy.
Moving people.

Can you describe a serendipitously soundtracked moment?

My earliest love-at-first-sight moment happened at a fair when I was
five. Otis’ “For Your Precious Love” blared out of the speakers of the
Tilt-A-Whirl ride as it all went down.

Have you ever called into a radio show? Or hosted one? If so, when/why/who?

Both. When I was in grade 9 I called into the local station to request
a Sarah McLachlan song, and dedicated it to the person I liked at the
time.

As for radio hosting, when I was really young I had a boombox and
8-track/record player in my room, and I’d pretend to host radio shows.
My great grandmother and my cat were regular guests. In more recent
history, I’ve (co)hosted shows on CKDU 88.1 FM in Halifax as well as
CJUC 92.5 FM in Whitehorse in the past. Both had a focus on
experimental sounds, field recording, and community engagement,
exploring concepts such as memory and the intangible. Some of the
shows featured audio mapping, fictional guests, a dog that reported
the weather, the death of analogue media, food tasting, and an orb
that chewed bubble gum. I wanted listeners to tune in and feel a bit
confused but curious.

If the show you’re DJing were a novel, where would it be set?

The genre would be magical realism, and the protagonist would be
traversing landscapes in this world, discovering windows into other
dimensions, where time doesn’t exist, space is expansive, and
awareness is unlocked to a sense of wonderment.

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DJ Goldilocks-thumb

 

 

Learn about Parisian sandwiches and space echo technology from DJ Goldilocks, our cherubic party starter who’ll be dropping jams Saturday night at Reflections with Le1f, Jef Barbara and XXX CLVR.

 

 

 

Are you really from Halifax? Like, really?
Nah. I grew up in Trana. My mom’s side of the family is all from Halifax, though. My great nan was a butcher in the South End during World War II. Butchery is a skill I dream of acquiring.

Would you describe yourself as an obedient person? Can you unpack that a little?
Hm. I’m very good at breaking rules while appearing obedient. It helps to look a bit cherubic.

What’s it like to make art in Halifax?
Toronto asks ‘where are you going?’ Halifax asks ‘what do you produce?’ Sometimes I feel like I need to make a zine for every one of my pursuits so that Halifax can see I’m doing things. But every time I’ve decided to do something here, I’ve been met with overwhelming support and the immediate flavor of success. This place rewards tenacity and that’s why the very best people live here. Read More

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pic by Colin Medley

 

 

A long time friend and participant of OBEY Convention, Jesse Frank Matthews, will be DJing during our Friday night show with Each Other, Teenanger, TV Freaks and No Bodies. We got in touch with him to get a sense of what his priorities are when it comes to DJing:

 

 

 

 

What kind of music/musical idea is exciting you these days?

Everyone’s got their doors and window’s open now that it’s spring, so again I am captivated by the stream of music and sounds coming out of every corner. In my recreational time I have been listening to lots of Harry Partch, Huerco S. and Sade.  

Will you be manipulating the music you play at the show in any way?

My DJ set up for the show will in the rub-a-dub style. Using my collection of (reggae)dub cassettes, a few different tape decks, some basic stomp box effects (reverb, EQ, phaser) plus a few tricks and treats to put my own stamp on it. I like the idea of approaching a DJ set with specific tools and and an interest in the history of music. This being a punk show I wanted to act as the Don Lett’s character and play some dub and reggae for the punk rockers. 

What should one strive for as a DJ?

I don’t ‘DJ’ often, and since it is OBEY and I want top do something very special so instead of playing some punk in the type sense, in this DJ scenario I will be employing DIY punk ethos as a basis but try and tap into the other key players in England’s original punk scene in the mid-1970’s. So in this case I am striving to make a connection between my love of punk and dub and how the two share so much in common. Street style sounds with deep roots.

Read More

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In an attempt to give you some insight into the minds of the fine people taking part in this year’s festival, we put together a survey for our artists to fill out. In the coming weeks, we’ll be posting the results regularly. Up first is Dave Burns, one part of Halifax’s non-hierarchical, lo-fi rock outfit Surveillance:

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Are you really from Halifax? Like, really?

I’m from Bobcaygeon, Ontario, famous for the Tragically Hip song of the same name.

Would you describe yourself as an obedient person? Can you unpack that a little?

If by obedient you mean I sit like a dog and come when I’m called then to a certain extent yes. It takes a lot of guts and sacrifice to break the chain of command that we’re all forced to live with, and doing so means giving up a lot of stuff that makes life tolerable like family and friendship. Disobedience means isolation.

What’s it like to make art in Halifax?

Halifax is a beautiful yet deeply troubled place, and despite some of the great artists and organizers that work here the arts scene is as racially segregated as the city itself. Within that there’s the socially hostile youth culture that breeds homogeneity and revels in its own weak accomplishments. If you can get past the anxiety that everything you do is going to contribute to that faceless beast then there’s no shortage of inspiration. Living on the ocean is nice too.

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